Shanghai Grand Opera House
A destination for all


Architecture, Landscape Architecture, Interior Architecture


Following an international design competition, Snøhetta has been commissioned to design the Shanghai Grand Opera House in Shanghai, China. The project aims to attract a broad audience through offering both traditional and Chinese opera performances, classical concerts and more experimental performances that will attract a younger audience. 

Snøhetta has developed the architectural, landscape, interior, and graphic design for the Opera, and the project will be undertaken in partnership with Shanghai-based architects ECADI.

Technical details

Performance Space, Public Space
Under Construction
Shanghai, China

Shanghai Grand Opera House


East China Architectural Design & Research Institute (ECADI)
Theatre Projects
Nagata Acoustics
schlaich bergermann partner
Meiss Architecture & Engineering Office

146,786 m2

A New Cultural Landmark

The new Opera House is an important part of a new urban master plan for Shanghai that aims to place the city at the forefront of the globe, economically, scientifically, and culturally. The Opera House is expected to become one of the major cultural landmarks of Shanghai – the country’s 13th Five-Year Plan names it as the most important initiative to strengthen Shanghai’s cultural and global influence.


The new Opera House will be built in the Expo Houtan neighbourhood, located at the convex bank in the riverside area near Huangpu River. The neighborhood, which will have an ecological and low-carbon profile, emphasizes the Opera’s mission of being a public and open venue. The radial layout of the surrounding landscapes harmonizes with the overall geometry of the Opera building, ensuring key view paths from both the Opera to the city, and from the city to the Opera.

Fan-Shaped Roof

Designed to bring artists and the public under a shared roof, the sweeping form of the new Opera House connotes movement. The helical roof surface evokes an unfolding fan, capturing the dynamism of dance and the human body. Generating both surface and space, the radial movements of the roof form a spiralling staircase that connects ground and sky, while creating views towards the city and the Huangpu river banks.

The spiralling, fanning motions extend throughout the project, into the lobby, the halls, and the three auditoriums. The Opera House’s visual identity also references the same movements, with the new, clean logo characterized by a highly recognizable open fan pattern.

Photo: MIR and Snøhetta

Photo: MIR and Snøhetta

The Shanghai Grand Opera House is a natural progression of our previous work with designing performing arts centers. It is a culmination of the competence and insight gained through projects such as the Norwegian National Opera and Ballet, the Busan Opera House in South Korea, the Isabel Bader Centre for the Performing Arts in Canada, and the Théâtre Nanterre-Amandiers renovation in Paris. The Shanghai Grand Opera House is a product of our contextual understanding and values, designed to promote public ownership of the building for the people of Shanghai and beyond.

Snøhetta Founder Kjetil Trædal Thorsen.

Photo: Brick Visuals

A Destination for All

The Opera roof will become an accessible stage and meeting place, suitable to both large-scale events and everyday visitors. In celebrating both the collective and the individual, the plaza will allow visitor access 24 hours a day, 365 days a year, engendering a sense of public ownership.

A series of restaurants, galleries, exhibitions, museums, education centers, libraries and small cinemas will all contribute to the Opera becoming a popular destination.

Performance Spaces

At the heart of the Opera is the 2,000-seat main auditorium; a finely tuned instrument that offers state-of-the-art technical solutions and superior acoustics. The 1,200-seat second stage will offer a more intimate setting for smaller productions. The 1,000-seat third stage offers a flexible stage and seating arrangement, providing space for more experimental and unique performances, aiming to attract a new generation of opera goers.

Photo: MIR and Snøhetta

The white Opera exterior stands in contrast to the soft silk used for the interior lining. Oak wood forms the main floors of the galleries and the interior of the hall, ensuring good acoustic properties. In the hall itself, the wood is stained in hues of dark red.

Expansive glass panes open up the main hall to natural light, which transforms the experience of the building throughout the day and from season to season. At night, exterior lights change the appearance of the stage towers, transforming them into glowing lanterns, illuminating the roof and skyline.

Photo: MIR and Snøhetta