The Bolder
Lodges on the edge of Norway's Lysefjorden

2020–2023

Architecture, Interior Architecture

Introduction

Snøhetta has been working with local Norwegian entrepreneur Tom Bjarte Norland to develop a unique experience on the edge of Lysefjorden on the Norwegian west coast. The Bolder project consists of four cabins lifted over the ground designed to harmonize in the best possible way with the surrounding nature and blur the lines between being indoors and outdoors. The project started in 2020 and grew out of the desire to create an experience that is truly special and authentic, where nature plays the leading role. The four cabins named Stylten, Myra, Stjerna, and Eldhuset all offer exceptional views of Lysefjorden and the surrounding nature.  

Technical details

Typologies
Hospitality, Recreation
Status
Completed
Location
Lysefjorden, Norway
Client

Tom Bjarte Norland

Collaborators

VIPP

Eikund

Size
Stylten, Myra and Stjerna are 38m2. Eldhuset (opening spring 2023) will be 60m2.
Material exterior

Red red cedar wood

Material interior

Oak wood

Video by: Elin Engelsvoll/The Bolder

Lifted above ground

The four cabins are lifted above ground on large concrete pillars and have glass facades for guests to appreciate the natural surroundings inside their private cabin and bring the outdoors inside.

With the Bolder project, Snøhetta strived to preserve nature and enhance the experience of moving in an untouched landscape with the smallest possible footprint on the surroundings. The cabins are lifted over the ground to create a weightless feeling on the edge of the spectacular, steep mountainsides, diving down into the clear blue fjord.

The goal was to create a total experience for the visitors - returning to a cozy, warm wooden nest with a spectacular panoramic view of the ever-changing weather after a full day of hiking along the fjord.

Photo: Bitmap/Henrik Moksnes

Photo: Elin Engelsvoll

Outside is inside

When stepping inside, guests are left with the illusion of floating in the air on the cliff's edge with unobstructed views over the fjord and mountains filled with Bonsai-like pine trees and boulders left by the glaciers when the ice age came to an end thousands of years ago.

To draw the serenity of nature inside the cabins, a minimalistic design ethos with furniture in natural and durable materials in earthy colors and organic textures was opted for in the interior design and styling. Thoughtfulness underpins the interior choices and accentuates the meditative flow evoked by the space.

The cabins boast an upper floor with a kitchen and dining area by Vipp and a ground floor with a built-in bed and bathroom. Wood, marble, and leather are recurring materials of choice in the selection of furniture. In contrast, the concrete flooring on the lower level adds a roughness to a sensible décor.

Photo: Bitmap/Henrik Moksnes

At one with nature

To reflect the nature of the building site, dominated by granite and slow-growing pine trees, Snøhetta chose to work with wood and concrete with aggregate from the actual site as the primary materials for the project. The trees that had to be taken down during the construction have been set aside to be re-used for other parts of the projects, and the granite that has been cut out of the ground has been used to make the concrete for the construction.

The wood used to build the cabins is untreated red Cedar that will gray with time to create a natural look and blend into the rocky landscape. The Oak wood used inside is treated differently in the three small cabins, so visitors can have a slightly different experience when returning.

Photo: Henrik Moksnes

Photo: Elisabeth Heier

Shaped from the inside

The cabins are precise objects shaped from the inside, each focusing on the different rooms' views and qualities. The natural overlight and the large glass panels always give the inside a calming variation of the natural color specter throughout the day and through all kinds of weather – while keeping contact with the sky. The roof is mirrored on the underside to create an object free from the ground – hovering above the edge. The shape of the overlight is the same in size and placement as the concrete base. Asymmetrically placed, it creates the illusion that cabins are tilted out to the fjord, strengthening the sensation of weightlessness.

Photo: Elin Engelsvoll

Like a nest

Both the inside and outside walls and roofs merge into one uniform shape. Letting the object be a singular object in the landscape and homogeneous on the inside. This gives the cabins a shallow and solid feeling, in many ways like a nest. Details on the inside are minimal and precise to ensure a complete experience with clean surfaces to not interfere with the spectacular view.
The light bridges above the landscape are made of Corten steel which also belongs to the natural material pallet in the area. Also lifted above the ground to minimize the footprint, the dimmed, neutral lights provide just enough light for the visitors to maintain the view in all directions when the sun has set. Adding to the uniqueness of the Bolder cabins with the unobstructed views of the wild and constantly changing environment available day and night from your bedside. A true twenty-four-seven experience.

The site is off the grid except for electricity powering the light and the amenities in the cabins. The naturally sourced spring water from the treatment plant under the parking is cleaner than the water in the local river running over the mountain.

The Bolder project will also feature two additional constructions set to be completed within the next few years – including a lounge and a gourmet restaurant serving locally sourced food.

Three of the cabins are now completed and open for bookings. The last one, Eldhuset, is universally designed and will open around easter.

Photo: Elin Engelsvoll

Photo: Elin Engelsvoll

Photo: Elin Engelsvoll

Photo: Elin Engelsvoll

Photo: Bitmap/Henrik Moksnes

Photo: Elin Engelsvoll

Photo: Elin Engelsvoll

Photo: Elin Engelsvoll

Photo: Elin Engelsvoll

Photo: Elisabeth Heier

Photo: Elisabeth Heier

Photo: Elisabeth Heier

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